A second pair of eyes when you work alone.

Because there is no one else to check. In a studio, a file passes an account manager, a second designer and sometimes a proofreader before it reaches the client. Working alone, the person who made the mistake is the person checking for it — and after the fourth revision, the eye reads what it expects rather than what is there.

Spelling and grammar on the artwork itself, prices, dates and contact details, missing elements, differences between versions of the same campaign, translations against a master, and anything that contradicts the brief or price list you upload as a reference.

That is what the credits model is for: you pay for what you scan rather than a seat you leave idle. Every account starts with 20 free credits, one-time and without a card, which is enough to run a real client set through it before deciding.

Yes. Each scan produces a report you can share as a link, showing what was checked and what was found. Some freelancers send the clean report with the delivery as evidence the work was checked.

No, and it should not. LYNCE gives you a list of things to look at with the evidence attached; you decide what is a real problem. It is most useful as the pass you run when you are too close to the work to see it clearly.

You mark it as not an issue and move on. Findings are suggestions, not instructions, and a wrong one costs you a few seconds — which is the trade for catching the one that would have reached the client.