Check translated creative against the original.

Checking a localised creative against the version it was translated from, rather than proofreading it on its own. A translated banner can be perfectly written and still be wrong: a price left in the source currency, an offer line that was dropped, a date format that did not survive the switch. LYNCE compares the localised file to the master you supply and reports what changed.

Translation tools produce or check language. LYNCE checks the finished artwork. It works on the exported creative — the image or PDF that will actually run — so it catches what happened after translation as well: text that overflowed its box, a line that was truncated to fit, or a version that was never re-exported.

Yes, and that is the point. Add the master version, the approved copy or the source price list as a reference and scan the localised files alongside it. Without a source, LYNCE can still check spelling, prices, dates and internal consistency — but it cannot tell you that something is missing from a translation unless it can see what it was translated from.

LYNCE reads creatives across many languages. The comparison is between your files, so the pairing is whatever you supply: an English master and a Greek adaptation, or one source and six markets scanned together.

Yes. Scan the whole set in one go with the master as a reference, and each localised version is checked against the source and against the others. Every image is one credit and every analysed PDF page is one credit; reference files are free.

No. LYNCE reports what it can evidence — missing content, mismatched numbers and dates, text that does not fit — and a person decides. Tone, register and cultural nuance still need a native reviewer. It is a first pass that removes the mechanical errors so your reviewer can spend their attention on the judgement calls.